Category Archives: AP Literature

Thug Notes: Wuthering Heights

It’s a thin line between love and hate. Really thin. Salty language and adult themes ahead. Proceed with caution.

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Wuthering Heights Seminar Threads

grangeTo prepare for our seminar this week, please gather specific textual evidence for the following threads. Try to “spread the wealth” among the threads instead of concentrating on one or two.

1. Narrator bias – Lockwood/Nelly Dean

2. Comparison of locations (inside/outside, different rooms, different places in different times, Wuthering Heights/Thrushcross Grange, home/moor, etc.)

3. Character weaknesses

4. Use of twos/pairs/opposites

5. Powerful symbols

6. Heathcliff—strong or weak? (You could look at any character regarding this)

7. Love/Passion/Revenge/Obsession

Image of Ponden Hall, believed to be the inspiration for Thrushcross Grange

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Poetry Focus: “Leda and the Swan”

Really terrific analysis of William Butler Yeats’s “Leda and the Swan,” found in Chapter 8 of Sound and Sense, by Evan Puschak, aka the nerdwriter.

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Finishing Strong

senioritis
Welcome back! One semester remains in the school year, so make it a good one. Here are some reminders to help you succeed:

Come to class. I shouldn’t even have to say this, but apparently some of you have missed the memo after nearly thirteen years of formal schooling. School starts at 7:20 am. You know how long it takes to get to DP. You know the traffic on Turkey Lake is stupid. You have phones with alarms. Get your butt out of bed and get to school on time. Once you’re here, be HERE. Don’t be thinking about the homework you skipped for another class or your latest game craze or your phone. It does you no good to be here physically but absent mentally.

Do the reading. Seriously, gang. This is a literature class. You can’t do well unless you actually read the works. No, SparkNotes do not count. Check the calendar for deadlines and plan your reading schedule so you’re ready for seminars and discussions.

Pay attention to details. I shouldn’t have to tell college-bound seniors to read directions carefully, but apparently I do. READ DIRECTIONS CAREFULLY. Make sure you complete all parts of an assignment in a timely fashion. Seminar grades always contain your contributions to the class discussion, the notes you take during the seminar itself, and the Verso responses afterward. Don’t suddenly remember one of them after I’ve completed the grades.

Label everything. Your files should have unique names, and your name should always be on the file itself. Submit files to the correct assignment in Google Classroom. Don’t pile up a bunch of files in one place where they don’t belong.

Use the +one rule. Many of your essays are good in terms of thinking, but the support is weak. When you think you’ve finished a paragraph, add one more specific example before moving on to the next paragraph.

Speak up! Self-advocacy is a vital skill for success in college. If you are having difficulty, say something. Ask questions. You should know by now that I don’t bite. Confused about a poem’s meaning? Ask. Want some help with an essay? Ask! I’ve never claimed mind-reading as a skill. Don’t expect me to use it.

And the most important thing to save yourself (and me) unneeded stress:

Pay attention to deadlines! College students tell me the biggest adjustment they have to make is obeying hard deadlines. Most schools do not accept late work of any kind without prior arrangement with the professor. “I forgot” doesn’t count. Neither does “I was busy” or “I had a test in X class” or fabulous vacation plans. Once I’ve graded an assignment, I’m pretty much this person:

edna

Late work will only be reviewed once you submit a Digital Late Work Submission form. Otherwise, I assume it doesn’t exist and will happily give you the F you have requested.

Stay focused. May and the exam will arrive quicker than you expect. Be ready. Let me know how I can help.

 

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Grammatical Christmas Carol

Happy holidays!

chickens

 

Thanks to the inimitable Doug Savage of Savage Chickens.

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Lit Circles: Blogging

blog-blogging

The online discussion is a place where you will respond to your selected work by recording your thoughts, feelings, reactions, and questions. Two key questions to ask yourself when you are preparing each blog post are:

  • What was going on inside my head?
  • What was I visualizing?

Your blog posts should arise from your thoughtful reading. Here are four possible ways to structure your post during each reading section.

COMMENT

Consider what the author is doing and offer criticism or questions concerning the author’s style:

  1. Tell what you like about a particular phrase/part: include the reference.
  2. Discuss the writer’s style of writing, explain what you like or don’t like about it. Explain how it is effective in conveying a meaning. Why would the author choose to use it? Make sure to include a brief example of it.
  3. Write down striking words, images, phrases, or details. Speculate about them. Why did the author choose them? What do they add to the story? Why did you notice them?
  4. Identify any gaps or ambiguities in the text.
  5. Try arguing with the writer. On what points, or about what issues do you agree or disagree with them on?
  6. Point out effective examples of figurative language (or other literary devices) and explain why they are effective.
  7. Discuss an emotional response you felt towards a character or event in the novel (shock, surprise, fear, happiness, relief, etc.). Why do you think it affected you the way it did?

ANALYZE

Look closely and critically about the characters, setting and events (plot):

  1. Give your opinion about how a character should have worked out a conflict.
  2. Tell what makes a particular character/setting appealing to you.
  3. Explain the importance of one of the secondary characters.
  4. Share how events of this novel have caused a change in your views.
  5. Discuss the qualities of a character you dislike and explain why.
  6. Analyze whether your knowledge of a character was gained mostly from what s/he does, what s/he says, or what is said about him/her by others.
  7. Discuss ways in which the character changed throughout your reading and what caused those changes.
  8. Examine the values/personality of a character you like and explain why.
  9. Examine the values/personality of a character you dislike and explain why.
  10. Discuss how the setting contributes to or affects the events/characters of the novel.

CONNECT

Explain the relationship between the text and self, text and other text, or text and world:

  1. Compare an event/belief in the story with a similar one in your own life.
  2. Compare a character’s emotional response with yours in a similar situation.
  3. Compare and/or contrast the society of this novel to the one you live in.
  4. Compare and/or contrast two characters/ideas/beliefs that appear in the same book, or in a different novel, movie, etc.
  5. Compare and/or contrast events/beliefs in the novel to events/beliefs in the real world.

QUESTION

Raise questions about the text:

  1. Question the author’s writing style, character’s actions, events that unfold, etc.

Ex. “Why would the author choose to omit details about Mason’s childhood when……”

  1. Offer a suggestion or prediction for your questions.
  2. What perplexes you about a particular passage?
  3. Try beginning with, “I wonder why…” or “I’m having trouble understanding how…”
  4. Think of your journal as a place where you can carry on a dialogue with the author or with text in which you actually speak with him or her. Ask questions and then have the writer or character respond.

Blog Responses/Replies

Since the online environment is a kind of conversation, you will also be expected to respond to others’ posts. To create a response:

  1. Read the original post carefully.
  2. Consider the type of response in the original post to help you tailor your response. You might extend on a COMMENT by adding additional information, deepen the ANALYSIS offered, CONNECT further or suggest a different relationship, or provide textual evidence as a potential answer for a QUESTION.
  3. Your response does not have to be as long as an original post, but it should be thoughtful and complete.

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A Note About Grades

I arrived at school today to a mailbox full of angst:

“I turned in Assignment X and got Y grade. Why wasn’t it a Z?”
“I really need X points to get Z grade—what can I do?”
“I just turned in Assignment Q (which was due a month ago). Please grade it ASAP so my grade can go up.”
“I know I didn’t do Assignment V. Can I do it now so it can be counted?”

These are variations of many, many conversations I have with students about their grades. Most of the time they take place during the marking period, when something can be done about it without unnecessary stress on either of us. The cries explode the day grades are submitted, and all of your stress is firmly transferred onto me. I’m supposed to FIX IT.

I understand. I was an AP student in high school, and I know the pressure to maintain a high GPA is immense. It seems that everything you hear from teachers, colleges, parents, your peers, and the world at large seems to suggest that keeping your GPA at stratospheric levels is necessary in order to gain admission to college and basically win at life. Let me clue you in on a little secret:

It’s not.

You don’t have to believe me. Einstein said it better:einstein

Ladies and gentlemen, you’re focusing very hard on the things that can be counted, but not so much on the things that count. When I get emails about the class, they’re hardly ever about the subject, the concepts, your discoveries, or learning. The conversations are always, always about numbers. Specifically, numbers that translate into letters on your transcript. Those things are important, yes, but in the grand scheme of things, they don’t really count. Here’s what does: Understanding. Stretching. Growth. Discernment. Discovery. Challenge. And, most importantly, failure. Failure is the best teacher of all. It reveals your weak spots and invites you to grow. You should embrace failure—which might look like a B, or even a C. That kind of failure keeps you humble and shows you where to focus.

But if you (or your parents) come from the “Failure Is Not an Option” school of thought, here are some proactive things you can do to keep your grade looking the way you like it:

  1. Pay attention. If you’re busy chatting with friends or playing on your phone or doing other homework on your laptop when you’re supposed to be doing something for this class right now, that’s a near-guarantee that poor and/or missing work is to follow. I’m aware you’re sitting at tables. That doesn’t mean you have license to do what you want, to be rude, to ignore what’s going on and expect me to explain it to you special later. You know how to be a student. That shouldn’t be contingent on where you sit and how.
  2. Listen. On essays especially, I try to provide feedback to help you improve. What do my notations say? See any patterns? Are you making changes based on my comments or just glancing at the number at the top and filing the paper away for later? Heed the wisdom of Jackie “Moms” Mabley: “If you always do what you always did, you will always get what you always got.”
  3. Read. Read the assigned works. The ones I hand you, not the summaries on SparkNotes or PinkMonkey or Shmoop or whatever the avoid-actual-work site of the month happens to be. Plot summaries will not help you with AP questions. You won’t have the depth of detail needed to answer them properly, and you won’t have the practice necessary to analyze text closely when the time comes. And while we’re talking about reading, read the directions. Don’t skim, don’t assume, and don’t let your friend’s four-second summary scalf-roping-hlsr-590x742tand in for what I specified. I can’t tell you how valuable this skill will be in college, where your course syllabi will rule your life in ways you can’t even imagine now.
  4. Ask questions. Don’t understand something? Ask. Unsure about what something means? Ask. Have an amazing idea that you’d like to explore? Please, please ask! The ability to ask good questions is an invaluable college and life skill. Professors love students who can ask good questions. Be that person.
  5. Slow down. Stop being in such a hurry. I’m well aware that the procrastination struggle is real. Fight it. Plan your reading so you aren’t trying to finish a two-hundred-page work in an evening. That’s why I gave you a calendar, so you could plan. Hint, hint. Make sure your name is on the paper itself and in the filename, if it’s electronic. Do you have any idea how many assignments I see entitled “AP essay”? Am I supposed to guess what each paper is about and who submitted it? I really don’t need that kind of excitement in my life. Don’t do all your work at the last minute, or worse yet, in the class period before you show up to mine. That slapdash effort rarely earns what you’d like. Learning isn’t like the calf roping competition at the rodeo. You don’t earn bonus points for being quick. Plus, if you haven’t tied off the calf properly, it doesn’t matter how good you look during the process. You lose, plain and simple. Do good work, and good results will follow.

 

Ideally, I’d love to face a class full of learners, people who are engaged in the process, willing to take risks, asking good questions, and thinking thinking thinking so their knowledge grows and their outlook expands. But if the grade monkeys screech too loudly—and I get it, they do sometimes—follow the steps above. Pay attention. Listen. Read. Ask questions. Slow down. They help, I promise.

As my father is wont to say, “End of Sermonette.”

Calf roping photo © Bob Straus

 

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Congratulations, NEHS Members!

Congratulations to the newly-inducted members of NEHS!

Shereen Abousaouira
Stephany Bedoya
Sara Bernate
Chloe Bey
Stephon Davis
Tamia Dawkins
Elyse Decker
Tara Guillaume
Gabriella Guzman
Kristalle Liang
Robin Maaya
Cristina Mandry-Campbell
Amelia Martin
Raian Natsheh
Viviana Osorio
Valeria Reyes
Marina Russell

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Oedipus Rex Text Sources

oedipus[1]

If you wish to download a copy of Oedipus Rex to your phone or tablet, you may find copies here:

Project Gutenberg (links to .html, .epub, and Kindle-formatted versions)

Oedipus Rex for Kindle ($.99 charge)

Oedipus Rex for Nook ($.99 charge)

Download or listen to a streaming audio version of the play at Librivox.

The full text of the play may be read online here.

Another translation of the play may be read online here.

 


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A Modern Greek Chorus

The opening credits of Disney’s animated film Hercules (yes, that’s the Roman name, but retraining Americans to say the proper Greek “Herakles” is a high bar even for Disney to clear) plays with the concept of the Greek chorus. Included in this short clip are references to the rise of the pantheon of gods after the defeat of the Titans, the role of the muses in Greek mythology, the characteristic art of Greek vases, a gorgeous presentation of Mount Olympus (check out Apollo and his flaming chariot of the sun!), and, of course, the musical pun of the gospel style of the song and its title, “The Gospel Truth.”

As a side note, the stentorian introduction is voiced by the late actor Charlton Heston, whose fame was solidified based on his roles in the films The Ten Commandments and Ben-Hur, so there’s another performing arts pun for you: who better to narrate the tale of an epic hero than, well, the quintessential Hollywood epic hero? Enjoy!

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