Tag Archives: analysis

Thug Notes: Jane Eyre

You work your groove, girl. Salty language and adult themes ahead. Proceed with caution.

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Jane Eyre Seminar Questions

JaneIn preparation for our Socratic seminar on Jane Eyre, please gather textual support that will help you answer the following questions. Although direct quotations are encouraged, references to specific plot elements, characters, etc. in the text will suffice. Remember that the ultimate goal of the seminar is to enhance your knowledge of the work itself, so focus your attention on what occurs in the text rather than speculation drawn from the events in the text.

1. How does the relationship between Jane and Helen Burns affect her time at Lowood and Jane’s growth as a character?

2. Compare Jane’s independent nature with other female characters in the book (Aunt Reed, Helen Burns, Miss Temple, Mrs. Fairfax, Blanche Ingram, Diana and Mary Rivers, Rosamond Oliver).

3. What makes Jane fall in love with Edward Rochester? Why doesn’t she fall in love with her cousin, St. John Rivers?

4. Is Rochester a good match for Jane, given her experiences and lessons?

5. How does the first person viewpoint affect the development of the novel?

6. How do Rochester’s women (Bertha Mason, Cécile Varens, Blanche Ingram, Jane Eyre) reflect on his development as a character?

7. What critiques of society does Brontë seem to be making?

8. Which of Jane Eyre’s homes/residences had the most impact on the development of her character and her outlook on life?

9. Discuss the role of religion in the work.

10. How is the theme of appearance vs. reality manifest in the work?

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“My Last Duchess” Poetry Focus

DuchessIf your birthday occurs between January and June, you will be analyzing the Robert Browning poem “My Last Duchess.” Using the TPCASTT strategy may be a helpful way to discern meaning within the poem. Ultimately, you will need to create and support an AP-style statement with information gleaned from the poem itself. Your AP statement should read as follows:

The writer (use the author’s name) employs X (articulate techniques and strategies) to reveal Y (the theme of the poem).

Here is the text of your poem:

My Last Duchess
by Robert Browning

Ferrara

That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Frà Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myselfthey turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek: perhaps
Frà Pandolf chanced to say “Her mantle laps
Over my Lady’s wrist too much,” or “Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat”: such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart — how shall I say? — too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace — all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men, — good! but thanked
Somehow — I know not how — as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech — (which I have not) — to make your will
Quite clear to such an one, and say, “Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark” — and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
–E’en then would be some stooping, and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!

 

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“Dover Beach” Poetry Focus

Dover BeachIf your birthday occurs between July and December, you will be analyzing the Matthew Arnold poem “Dover Beach.” Using the TPCASTT strategy may be a helpful way to discern meaning within the poem. Ultimately, you will need to create and support an AP-style statement with information gleaned from the poem itself. Your AP statement should read as follows:

The writer (use the author’s name) employs X (articulate techniques and strategies) to reveal Y (the theme of the poem).

Here is the text of your poem:

Dover Beach
by Matthew Arnold

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

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Macbeth Final Writing

chasseriau_macbethNow that we have completed our reading of Macbeth, you will be submitting an analytical essay of the play as your final assessment. The objective is to reveal your knowledge of how evidence presented in Macbeth supports a major theme of the work.

In your essay, you will select a theme from the ones introduced in the Macbeth Anticipation Guide. Your task is to show, through specific evidence from the text, how Shakespeare presents the theme and the conclusion Shakespeare draws about it. For example, if you pick the statement Patriotism requires obedience to the government authority, you would need to consider Macbeth’s actions (he knowingly kills the king and usurps the throne), Malcolm and Donalbain’s position (although Malcolm is named Duncan’s heir, the nobles follow Macbeth as the new king), and Macduff’s decision to distance himself from Macbeth’s court.

As evidence, you need to consider character actions, speeches, and even scenes. When you record information to use as your support, remember to include the Act and Scene numbers. For example, if you are discussing Lady Macbeth’s sleepwalking scene, you would need to reference V.1 (Act V, Scene 1). If you quote a particular line, then you would use the line numbers as well:

“Out, damned spot! Out, I say!” (V.1, 31)

You may also include your Act and Scene reference within the paragraph itself. If you do that, then any direct quotation you include would only need to list the line numbers after the quote:

The price of ambition is the main topic of conversation between Macbeth and Lady Macbeth in Act I, Scene 7. At this point in the play, Macbeth is having second thoughts about killing King Duncan. Lady Macbeth chides Macbeth to stick with his original decision, telling him, “But screw your courage to the sticking-place, and we’ll not fail.” (60-61).

If you are including multiple lines of dialogue, then you need to indent and single-space the quotation:

Banquo, impressed with the witches’ prophecies to Macbeth, asks for a prophecy of his own. The witches’ reply is less specific:

First Witch: Lesser than Macbeth, but greater.
Second Witch: Not so happy, but happier.
Third Witch: Thou shalt get kings, though thou be none. So all hail, Macbeth and Banquo!
First Witch: Banquo and Macbeth, all hail! (I.3, 65-69)

You will use the version of Macbeth printed in the textbook for your Act, Scene, and line references.

A printed draft of the essay is due in class Monday, February 25 for peer review and commenting. You will receive a grade for your participation in the peer review session, so be sure you have a draft ready to go! Your final essay of no more than 750 words (three double-spaced pages) should be submitted to Edmodo by the end of the day Wednesday, February 27. You will upload your essay to the posted assignment in .doc, .docx, or .pdf format. Other formats do not permit me to make annotations for your review. See me if you have submission issues.

Good luck, and happy writing!

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Poetry: A Way In

One helpful method to get to the meaning of a poem is to use the TPCASTT process. This method walks you through the poem in a way that will help you unearth the meaning.

For this assignment, you will select two poems. One must be a pre-20th century work, while the other must be a modern (post-1900) poem. You will use the TPCASTT method with each poem to reveal its meaning. Please select unfamiliar poems for the assignment.

You may download a handout of the TPCASTT method from the AP Resources page.

To find poems, try the databases linked below:
Academy of American Poets
National Poetry Foundation
Poetry Out Loud

Your poem analyses are due at the beginning of class Tuesday, January 8. You should submit a copy of each poem along with the analysis, which may be handwritten or typed.

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